Henry Purcell, Tell me, some pitying angel (The Blessed Virgin’s Expostulation), Z 196
Samantha Arten, soprano, and Jackie Nappi, harpsichord
Jan Dismas Zelenka, Gloria patri I from Miserere, ZWV 57
Samantha Arten, soprano, with Capella Baroque, conducted by Brian Schmidt
Claudio Monteverdi, Amor from Lamento della ninfa, SV 163
Samantha Arten, soprano; Kerry McCarthy, alto; Roman Testroet, bass; Brad Croushorn, bass; Ken Stewart, cello; and Anna Showalter, harpsichord
Fanny Hensel, Six Lieder (Op. 1), No. 1 (Schwanenlied) and No. 2 (Wanderlied)
Samantha Arten, soprano; Solomon Eichner, fortepiano
Samuel Barber, Hermit Songs, No. 4 (The Heavenly Banquet), No. 6 (Sea-Snatch), No. 8 (The Monk and His Cat)
Samantha Arten, soprano; Solomon Eichner, piano
In addition to my work as a musicologist, I am also a professional soprano specializing in early music and Anglican church music, and a choral director. I currently sing with the Bach Society of St. Louis, the choir of St. Peter’s Episcopal Church, the Women’s Hope Chorale of St. Louis, in an early music duet with Jeff Noonan (lute/theorbo), and occasionally as a substitute with the Saint Louis Chamber Chorus.
During my six years in North Carolina, I sang weekly with the Duke Vespers Ensemble and occasionally with the Duke Evensong Singers and several other local churches. I directed the children’s choir at First Presbyterian (Durham), building a hymn repertoire for the children, and co-led a monthly service of Latin Vespers sung entirely in plainchant. I co-founded Triangle Area early music ensemble Concentus Carolina, which performed in 2014-2015.
My Baroque performance experience is extensive. I am currently a principal singer with the Bach Society, and perform with Jeff Noonan (lute/theorbo) and Sam Breene (Baroque violin), who are the duo Musicke’s Cordes. In past years, I have performed as a soloist with the Raleigh Bach Soloists, the Duke Vespers Ensemble, the Byrd Festival Consort, St. Louis Baroque, Collegium Vocale St. Louis, and the Southeast Baroque Ensemble. In 2016, I founded Bull City Baroque (soprano, Baroque violin, harpsichord, and cello).
Churches at which I have sung professionally include St. Peter’s Episcopal (St. Louis), the Church of St. Michael and St. George (Episcopal; St. Louis, MO), First Congregational (St. Louis), St. Philip’s Episcopal (Durham, NC), St. Luke’s Episcopal Church (Durham, NC), First Presbyterian (Durham, NC), Duke Chapel (Interdenominational; Durham, NC), Christ Church (Episcopal; Raleigh, NC), Holy Trinity (Anglican; Raleigh, NC), the Church of the Good Shepherd (Episcopal; Nashua, NH), and Ascension Episcopal Parish (Portland, OR).
Additionally, my women’s barbershop quartet, Ringtones!, won our international competition (Harmony, Incorporated) in 2010.
I have in the past also offered voice lessons.
Recent Solo Performances:
“The Hums of Pooh,” with Inés de Erausquin, piano and mezzo-soprano. Settings of poetry by A.A. Milne from Winnie the Pooh and When We Were Very Young by Harold Fraser-Simson. The Church of St. Michael and St. George, St. Louis, MO; May 11, 2019.
“A Classical Cabaret,” with soloists from the Bach Society of St. Louis. Favorites from musical theater. Jazz St. Louis, St. Louis, MO; May 7, 2019.
“Meditations for Lent,” with Jeff Noonan (lutes and theorbo). Lent-themed music by Dowland, Campion, Frescobaldi, Monteverdi, Sances, Purcell, and Humfrey. First Congregational Church, St. Louis, MO; March 31, 2019.
“Songs of Anticipation & Rejoicing: Advent Music for Voice & Lutes,” with Jeff Noonan (lutes and theorbo). Advent-themed music by Dowland, Campion, Nicholas Vallet, Monteverdi, Merula, and Purcell. First Congregational Church, St. Louis, MO; December 16, 2018.
“Kleine geistliche Konzerte,” with Charlotte Engler (soprano), Benjamin España (bass-baritone), and Emma Mildred Riggle (organ). Solos, duets, and trios from Heinrich Schütz’s Kleine geistliche Konzerte. Ascension Episcopal Parish, Portland, OR; August 18, 2018.
Opera role: Jaffett, Noye’s Fludde, Benjamin Britten. Kidznotes, Durham, NC; May 19, 2018.
Graduate Student Recital, with Solomon Eichner, piano and fortepiano. Amy Beach’s 3 Shakespeare Songs and 3 Browning Songs, Fanny Hensel’s Op. 1, and Samuel Barber’s Hermit Songs. Duke University, Durham, NC; April 21, 2018.
“On the Pillars of Genius,” with the Raleigh Bach Soloists and North Carolina Baroque Orchestra, directed by David Jernigan. Music by Handl, Gabrieli, Praetorius, Vulpius, Schutz, Kuhnau, Buxtehude, and Bach. Raleigh, NC; October 13, 2017.
“Music’s Lore–Secular Songs by William Byrd,” with the Byrd Festival Consort, directed by Jeremy Summerly, and organ by Mark Williams. Madrigals and consort songs by William Byrd. William Byrd Festival, Portland, OR; August 11, 2017.
“Love and Revenge,” with Bull City Baroque: Sarah Huebsch, oboe; Allison Willet, violin and gamba; Jackie Nappi, harpsichord; and Robbie Link, gamba. Vocal music by Barbara Strozzi, Handel, and Telemann. Durham, NC; March 18, 2017.
“The Hums of Pooh,” with Kathleen Arten, piano. Settings of poetry by A.A. Milne from Winnie the Pooh and When We Were Very Young by Harold Fraser-Simson. Gloria Dei Lutheran Church, Hancock, MI; January 7, 2017.
“To Please and To Arouse the Affections: Songs, Sonatas & Suites from the 17th Century,” with Musicke’s Cordes: Jeffrey Noonan (theorbo, Baroque guitar) and Samuel Breene (Baroque violin). Vocal music by Monteverdi, Frescobaldi, Purcell, Nicholas Lanier, and John Wilson. Duke University Rare Music Series, Durham, NC; December 3, 2016.
Bull City Baroque‘s inaugural concert, with Allison Willet, violin; Jackie Nappi, harpsichord; and Robbie Link, viola da gamba. Vocal music by Purcell, Handel, and Buxtehude. Durham, NC; April 17, 2016.
Duke Vespers Ensemble (with Capella Baroque) at the American Choral Directors Association Southern Conference. Soprano soloist for Jan Dismas Zelenka’s Miserere. Chattanooga, TN; March 10, 2016.